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Canon created a dual fisheye lens for its new VR video system

Canon has made a surprising produce bulletin, discovering a dual, RF mount fisheye lens that’s part of an all-new system called EOS VR. Its objective is nothing but to change virtual reality( VR) and augmented world( AR) creation by making workflow simpler than current VR capture arrangements, while delivering the quality of a full-frame mirrorless camera.

The key make is the $ 1,999 RF5. 2mm F2. 8 L Dual Fisheye manual lens specially designed to prepare on Canon’s 8K-capable EOS R5 camera. It’s a highly unusual searching produce, to say the least, with two projection fisheye lenses prepared side by side. They’re targeted approximately 60 mm( 24 inches) apart to coincide human interpupillary interval and add cozy parallax for VR and AR.

Canon created a dual fisheye lens for a new VR video systemCanon

The lens works only with Canon’s EOS R5, chosen for its 8K video capability. When shooting, it projects two circular images onto the camera’s 45 -megapixel sensor. It corroborates 190 -degree capture, allowing for delivery of stereoscopic 180 -degree 3D footage or photos at up to 8,192 x 4,096 (8 K) resolve for AR or VR works.

The lens has some peculiar peculiarities, like a reverberate that focuses both lenses at once and an Allen screw adjustment that lets you tweak the focus of one lens to precisely parallel the other. Otherwise, you get features generally found in high-end Canon L RF mount glass, like veneers to control flare and ghosting, dust and water-resistant sealing and a solid F2. 8 to F16 aperture range. Despite the quirky gazes, the lens is fairly compact and not much larger than Canon’s 35 mm F1. 8 lens.

Canon created a dual fisheye lens for its new VR video systemCanon

The lens is just one part of the equation, though. Canon is working on a firmware update for the R5 with brand-new features to support the lens and EOS VR system. That includes MF peaking and manual focus substantiate via Canon’s Dual Pixel autofocus system, together with a “Magic Window” UI that helps users plan for delivery to different types of headsets.

In addition, Canon stimulated its own EOS VR Utility and EOS VR Plugin apps, each accessible by due for$ 5 per month( with a free trial period ). The VR Utility app turns the stereo idols left to right and proselytizes them from circular to an “equirectangular” square image that can be viewed on a VR headset. It also offers immediate editing implements like snipping of excerpts and applied in a LUT, while letting you change to preset resolutions and file kinds( DPX, Pro Res, H264, etc .) prior to export.

There’s also the EOS VR plug-in for Adobe Premiere that “will convert the dual fisheye imagery to equirectangular, while allowing the ability to cut, pigment, and edit with the full self-restraint of Premiere Pro, ” Canon told Engadget. It likewise tells you export footage to the desired spec for different types of delivery.

On top of those apps, you’ll be able to use the current Camera Connect app and Canon’s EOS Utility to control capture. Both will be updated down the road to offer “remote control live deem functionality for monitoring purposes while on-the-go, ” Canon said in a press release.

The system can be used for weds, journalism, sports, practice, happenings and more, while provide a number of advantages over current VR cameras. To begins with, it’s designed to deliver better quality than standalone VR cameras with smaller lenses and sensors like the $5,000 Insta3 60 Pro 2. At the same time, you get all the R5′ s tools like log shooting, RAW capture, 10 -bit video and more. And when you’re not exercising the VR lens, the R5 can be used for regular video creation or photo shoots, unlike dedicated VR cameras.

Canon created a dual fisheye lens for a new VR video systemCanon

At the same, the product process is simpler and cheaper than with dual cameras used in higher-end productions. Those cameras must be rigged, synced, focused and orientation accurately, with the end result being two enters in many cases. Canon’s EOS VR system, by oppose, delivers similar character but offers focus and setup like a regular camera, while leaving you with a single file to edit at the end.

The entire system isn’t exactly cheap, considering you need to pay $ 1,999 for the lens and $3,899 if you don’t previously have an R5 camera, for a total of $5,898. However, considering how niche and rare the lens is, it expenses less than I expected. There’s too the issue of R5 overheating that restraint 8K recording terms to 20 minutes, with a 10 -minute recovery period. You can improve that by catch 8K to an external Ninja V+ RAW recorder, but that’ll contributed $1,500 to your cost.

Still, it looks very promising for VR production, which has boomed in esteem during the COVID-1 9 pandemic( though still isn’t precisely mainstream ). It’s been especially in-demand for business training and collaboration, a potentially rich vein for video farmers. A parcel of those folks, especially if they already have a Canon EOS R5, might be willing to jump into VR work if Canon’s new system is as easy to use as it predicts. The lens and EOS VR system are set to arrive in late December 2021.

Read more: engadget.com

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